Cannes film – Cannes Fest http://cannesfest.org/ Mon, 18 Oct 2021 15:20:20 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://cannesfest.org/wp-content/uploads/2021/10/icon-3-120x120.png Cannes film – Cannes Fest http://cannesfest.org/ 32 32 How the prestigious Cannes Film Festival became a major event – Edexlive https://cannesfest.org/how-the-prestigious-cannes-film-festival-became-a-major-event-edexlive/ https://cannesfest.org/how-the-prestigious-cannes-film-festival-became-a-major-event-edexlive/#respond Mon, 20 Sep 2021 07:00:00 +0000 https://cannesfest.org/how-the-prestigious-cannes-film-festival-became-a-major-event-edexlive/ The glitter is here | (Photo: Wikimedia Commons) That’s enough, says France. Well, they didn’t literally say it. But when the world’s first, and now oldest, international film festival in Venice began to show a penchant for films that advanced fascist and Nazi propaganda, the French Republic decided to step up. The French decide to […]]]>

The glitter is here | (Photo: Wikimedia Commons)

That’s enough, says France.

Well, they didn’t literally say it. But when the world’s first, and now oldest, international film festival in Venice began to show a penchant for films that advanced fascist and Nazi propaganda, the French Republic decided to step up. The French decide to organize one of their own festivals in June 1939. The dates are set from September 1 to 20 and films like The Wizard of Oz from America and the USSR Tomorrow is war have been selected. The charming seaside town of Cannes was chosen as the meeting place. But on September 1, when the party was due to begin, Germany invaded Poland. After the screening of a single film, The Hunchback of Notre Dame, the festival was canceled because France began to mobilize troops and two days later the French and British declared war on Germany.

The festival was supposed to start on September 20, 1946 and it actually did. After World War II, it all started and the Côte d’Azur came to life. Movies like The lost weekend, the open city, the battle of the rails and many others found an audience and nine films received the grand prize, the Grand Prix du Festival.

And that’s how the Cannes Film Festival began.

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Find out how Chopard dazzled at the Cannes Film Festival https://cannesfest.org/find-out-how-chopard-dazzled-at-the-cannes-film-festival/ https://cannesfest.org/find-out-how-chopard-dazzled-at-the-cannes-film-festival/#respond Mon, 13 Sep 2021 15:02:39 +0000 https://cannesfest.org/find-out-how-chopard-dazzled-at-the-cannes-film-festival/ With great beauty all around, the French Riviera is the perfect place to celebrate cinema and fashion. Since 1998, one of the arbiter of grand style, the Swiss watch and jewelry house Chopard, has been a partner of the Cannes Film Festival. “From that very first festival, I knew it would blossom into a great […]]]>

With great beauty all around, the French Riviera is the perfect place to celebrate cinema and fashion. Since 1998, one of the arbiter of grand style, the Swiss watch and jewelry house Chopard, has been a partner of the Cannes Film Festival. “From that very first festival, I knew it would blossom into a great relationship that would continue for many years to come,” said Caroline Scheufele, Co-President and Artistic Director of Chopard. “I have loved cinema since I was young. Cinema is a dream, our jewelry creations too. Every year, with the exception of 2020 when COVID-19 forced its cancellation, the Cannes Film Festival has hosted the biggest names in Hollywood and beyond. It is the perfect place for a jewelry house like Chopard to launch extravagant new high jewelry creations destined to be presented on the red carpet. “It is the most famous red carpet in the world and it is the ideal place to unveil our beautiful high jewelry creations from Red Carpet Collection,” she explains.

Titanium earrings set with rhodolites and pink sapphires

Titanium earrings set with rhodolites and pink sapphires

This July, the Festival took place two months late but was magical as always. “I think it was wonderful to reconnect in person with old friends that I hadn’t seen for a long time, as well as to meet new ones,” says Scheufele. “Being back in Cannes was really special. It was so nice to be surrounded by friends of the House. For some it was their first event in a long time, and we really wanted to make an impact and bring some joy by putting on great performances, fashion shows and showcasing fabulous jewelry.

Chopard’s latest Red Carpet collection, titled Paradise, features colorful gemstones like rubies, sapphires, emeralds and diamonds used on pieces inspired by nature and plants. These fantastic jewels were the perfect antidote to the past 18 months and delighted those who got the chance to see them up close. “I think after the year we had we all wanted to get away from it all,” Scheufele explains. “The Collection truly captures this faraway place – a paradise – where we dream of getting away from it all. »From exotic flowers to animals, the new collection is full of colors and fantasy but also offers new modalities. “These pieces will transport you to another place and another time,” she explains. “More than ever, we have mixed the most fabulous gemstones with new materials such as titanium and enamel. Heaven has indeed been found in Cannes this year.

18K white gold necklace set with sapphires and diamonds

18K white gold necklace set with sapphires and diamonds

Red carpet report:

“These are artists whose work I admire a lot and who make bold choices. Not only do they make interesting choices with their art, but also with what they wear, ”says Scheufele.

Carla Bruni and Jodie Foster amazed at Chopard's Haute Joaillerie creations in Cannes

Carla Bruni and Jodie Foster amazed at Chopard’s Haute Joaillerie creations in Cannes

“Throughout the festival, Maggie [Gyllenhaal] chose new ways to wear earrings that were quite imaginative and exciting.

Maggie Gyllenhaal in Chopard's Haute Joaillerie creations in Cannes

Maggie Gyllenhaal in Chopard’s Haute Joaillerie creations in Cannes

Portrait of Caroline Scheufele by Royal Gilbert


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Derry filmmaker hits Cannes film festival https://cannesfest.org/derry-filmmaker-hits-cannes-film-festival/ https://cannesfest.org/derry-filmmaker-hits-cannes-film-festival/#respond Fri, 20 Aug 2021 18:02:41 +0000 https://cannesfest.org/derry-filmmaker-hits-cannes-film-festival/ Derry filmmaker Danny Patrick Ogle has mixed emotions about one of his films, Maltese Connection, which won an award at the very prestigious Cannes Film Festival – delighted to have received this accolade but heartbroken he did not. could not attend the scintillating awards ceremony due to Covid -19 restrictions. Here, Danny Patrick looks back […]]]>

Derry filmmaker Danny Patrick Ogle has mixed emotions about one of his films, Maltese Connection, which won an award at the very prestigious Cannes Film Festival – delighted to have received this accolade but heartbroken he did not. could not attend the scintillating awards ceremony due to Covid -19 restrictions. Here, Danny Patrick looks back on a career that has seen him work with some of the biggest names on the big screen and talks about returning to his hometown to film his latest production, Pulcinella, starring Jaime Winstone and Julian Glover.

Danny Patrick is the writer / director of film company Empire Productions. He recently returned to record Pulcinella, the fourth film he has shot in his hometown.

Danny Patrick said: “It’s based on an Italian opera (and an original Punch and Judy show) and it’s the school play they are staging in the movie, however, it reflects real life. and what the characters are going through.

“The story takes place in Portrush and we shot there for all the outdoor scenes. However, all interiors were shot in Derry to facilitate production and to know where to film.

Danny Patrick has said Derry is a “great” place to film.

He said: “It’s a great place with nice people and amazing backdrops with a mix of history and the new years of turmoil that followed.

“There is a lot of talent in Derry, both in front and behind the camera, so we were able to complement our cast and our team with locals.

“Pulcinella is the fourth film I made in Derry, apart from reshoots on Moussaka & Chips. Unlike other places, there are fewer restrictions and people are more open to assist or allow filming at their workplace. ”

He conceded that filming during the Covid-19 restrictions was not easy.

“It was difficult, especially keeping everyone in a ‘bubble’ – we had risk assessments and mitigation measures, like testing every three days and when either of the new members distribution was coming in. There was a cost for all these tests that we had to integrate, but it had to be done to allow us to make the film. “

Danny’s first feature film was called Malicious Intent and starred former world featherweight boxing champion Barry McGuigan of Monaghan.

Danny Patrick said: “The story was about a brother with completely opposite goals on a collision course. It was shot in London and it was difficult like all productions because the things you learn cannot be explained or read in a book, you have to live them and learn from them.

His other films include Moussaka & Chips, starring Mike Reid, Ron Moody and Jack Wild, The Best Years with Martin Kemp in the lead role and Requiem for a Fighter, starring Kim Kold.

Danny said Maltese Connection, shot in Derry and Malta, was a “semi-sequel / reboot” of Moussaka & Chips.

He added: “Everything that worked in this film came back in Maltese, everything that didn’t work was rewritten.

The film received the award for best independent film at the Cannes Film Festival.

Danny Patrick said: “It was amazing. However, because of the Covid, it was the first year since 2014 that I was not in Cannes. It was heartbreaking not being able to pick it up in person.

“It was a shock because the movie won’t be released until October, so I’m still trying to find out if people will like it.”

Danny Patrick is the eldest of six children of the famous couple Derry, Danny and Margaret Ogle. He remembers his first visit to the cinema. “The first movie I remember my dad taking me to was Disney’s The Black Hole, and it haunted my nightmares with two images, Maximillion (The Bad Robot), killing Anthony Perkins with his blades through a book , and the final image of Dr. Hans caught inside the robot deep in the black hole.

The Strand Cinema was Danny’s “home” where he would see films such as Superman 2, Back to the Future, Rocky 4 and most of the Hollywood blockbusters of the 1980s.

After attending Steelstown and Slievemore Primary Schools, Danny attended Templemore Secondary School on Northland Road before going to the University of Reading, which led him to settle in London.

He explained: “I met my best friend in Reading – we’re still best friends – and moved to London as roommates.”

So how did the making of the film go?

He added: “I’ve always been interested in playing, especially in school – it was a great way out of school. My writing has always been imaginative – supported by my English teacher, Ms. Jennifer Gormley. I didn’t know it would lead to the movies. However, I started writing short films and then moved on to feature films.

“Having always been interested in movies, I worked out some of the tricks they use in movies to convey information and how that impacted people and wanted to learn how to do that for my own stories. “

Danny Patrick’s advice to any young person considering getting into filmmaking is, “Just go do your movie, whether it’s short or long – take advice where you can, but don’t let it go.” never discourage. ”

Despite an award at the Cannes Film Festival, Danny Patrick revealed his “dream”: “For me, a television series that spans four, five-seven seasons. Like all shows, the first season is always cautious and limited, as no one knows if it will work, but season two and, most importantly, three and four, the show is on its way – everyone knows their characters and the team is in bed. , the only limits are your imagination.


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Bella Hadid Says She’s ‘Embarrassed’ About Her 2016 Cannes Film Festival Look https://cannesfest.org/bella-hadid-says-shes-embarrassed-about-her-2016-cannes-film-festival-look/ https://cannesfest.org/bella-hadid-says-shes-embarrassed-about-her-2016-cannes-film-festival-look/#respond Fri, 13 Aug 2021 07:00:00 +0000 https://cannesfest.org/bella-hadid-says-shes-embarrassed-about-her-2016-cannes-film-festival-look/ Bella Hadid recently turned her eyes on the red carpet at the 2021 Cannes film festival, as she donned a gorgeous black Schiaparelli. The model recently sat down with Vogue to discuss her 15 most iconic looks. During the interview, Hadid said she was “embarrassed” by her look at Cannes 2016. Bella Hadid on her […]]]>

Bella Hadid recently turned her eyes on the red carpet at the 2021 Cannes film festival, as she donned a gorgeous black Schiaparelli. The model recently sat down with Vogue to discuss her 15 most iconic looks. During the interview, Hadid said she was “embarrassed” by her look at Cannes 2016.

Bella Hadid on her look at the Cannes Film Festival 2016

Bella Hadid recently sat down with Vogue to discuss 15 of her most iconic looks over the years – including the plunging Alexandre Vauthier Couture dress, the red slit dress she wore on the red carpet at the 2016 Cannes Film Festival. The 24-year-old model said: “I’m still a little embarrassed by this moment. Even though the dress is beautiful, it doesn’t quite look like me.” The dress was a red colored silk dress which had a very high slit on the pantyhose and a plunging back. Hadid added that “I was nervous in this dress, I look very sexual… [and] I was always nervous about the cameras and nervous about having a lot of makeup on and nervous about that slit. “

The model also revealed that there had been a time when she thought there would be a wardrobe malfunction, but luckily that did not happen. She said, “I think maybe there was a little mistake that happened.” She jokingly added that the dress marked her alter ego’s red carpet debut, joking, “This is my alter ego, this is Belinda. I am so the opposite of her.

Bella Hadid’s Cannes 2021 look

Bella Hadid took the internet by storm with her last Schiaparelli dress which she wore for the 2021 Cannes Film Festival. The photos were shared by Schiaparelli’s official Instagram account and later by Hadid on her Instagram. Hadid wore a long-sleeved wool-crepe dress with a low neckline, and a golden brass necklace in the shape of the pulmonary veins of a human lung adorned with rhinestones. People magazine reported that Bella’s dress is from the Fall / Winter 2021/22 Haute Couture collection and designed by Schiaparelli’s artistic director, Daniel Roseberry. Hadid wore the dress for the premiere of Tre Piani (Three Stories).

Image: ANI / Bella Hadid Instagram

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Ten favorites from the 2021 Cannes Film Festival https://cannesfest.org/ten-favorites-from-the-2021-cannes-film-festival/ https://cannesfest.org/ten-favorites-from-the-2021-cannes-film-festival/#respond Thu, 29 Jul 2021 07:00:00 +0000 https://cannesfest.org/ten-favorites-from-the-2021-cannes-film-festival/ It would be handy if all the films shown at the 74th Cannes Film Festival July 6-17 could nestle in a tidy box titled “The New Post-COVID Cinema,” but the generalization won’t hold up. On the one hand, many of the feature films shown here (The French dispatch, Benedetta) were completed before the start of […]]]>

It would be handy if all the films shown at the 74th Cannes Film Festival July 6-17 could nestle in a tidy box titled “The New Post-COVID Cinema,” but the generalization won’t hold up. On the one hand, many of the feature films shown here (The French dispatch, Benedetta) were completed before the start of the pandemic and sat on the ice with distributors for a year. Others (including many short films, such as those by The year of the eternal storm) were slaughtered under quarantine conditions, and include its realities. But the festival as a whole, having been postponed to 2020, took place under the strong sign of rebirth, and not as a praise of wasted time. The film’s opening remarks by ubiquitous festival president Thierry Frémaux rarely touched on the struggles or uncertainties of the past year, and he hasn’t speculated much publicly about what the future of cinema might look like. . His speeches, in a mixture of French and English, were celebrations of the present. The festival’s goal, he told Variety in May, would be “to host a big Cannes – without assuming the pandemic is over.” The pandemic is far from over, but in the meantime, here are ten of the films that made it a big Cannes.

Annette
Rock opera is not dead. Ron and Russel Mael of Sparks mark Leos Carax’s last extravagant show. A bizarre celebrity couple – the almost standing comic Henry McHenry, played by Adam Driver, and Marion Cotillard as the great opera diva Ann – grapple with this age-old parenting challenge: raising a demon child while you are incredibly famous and that you need to sing along to. The pretty patches of the Driver range played better Marriage story (2019), but Carax is courting the same caliber of extremely physical total performance that the director achieved with Denis Lavant in Sacred Motors (2012).

Benedetta
It is astonishing that Paul Verhoeven, the only person to lead at the same time Starship Troopers (1997) and write a scholarly monograph on the historical Jesus, may succeed in being a holy eros theologian and blatant nun fetishist in the same film. It would be impossible to say which of the two impulses predominates in this 16th century tale by novice Benedetta Carlini (Virginie Efira), her visions and her miracles inside a convent in the time of the plague, and the transmission of her sacred desires on the flesh of his fellows. novice Bartolomea (Daphne Patakia). Charlotte Rampling, acting in French, gives a strong turn as the skeptical abbess.


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The best red carpet looks at the 2021 Cannes Film Festival https://cannesfest.org/the-best-red-carpet-looks-at-the-2021-cannes-film-festival/ https://cannesfest.org/the-best-red-carpet-looks-at-the-2021-cannes-film-festival/#respond Thu, 29 Jul 2021 07:00:00 +0000 https://cannesfest.org/the-best-red-carpet-looks-at-the-2021-cannes-film-festival/ Old Hollywood glamor is back with the return of the iconic Cannes red carpet. From Gucci and Chanel to Chopard and Balmain, these luxury fashion houses have ensured that celebrities are making a fashion statement at the 74th Cannes Film Festival. Keep scrolling to remember some of our favorite looks this year. Adèle Exarchopoulos wears […]]]>

Old Hollywood glamor is back with the return of the iconic Cannes red carpet. From Gucci and Chanel to Chopard and Balmain, these luxury fashion houses have ensured that celebrities are making a fashion statement at the 74th Cannes Film Festival.

Keep scrolling to remember some of our favorite looks this year.

Adèle Exarchopoulos wears an exclusive Fendi look at the premiere of her latest film “Rien à Foutre”.

Photo credit: Courtesy of Fendi

Cannes Film Festival 2021
v Anja Rubik in a Saint Laurent one-shoulder dress.

Photo credit: courtesy of Saint Laurent

Cannes Film Festival 2021
Gemma Chan wears an organdy top with cupped sequins and a beige gradient cotton skirt from the Valentino Haute Couture “Code Temporal” Spring / Summer 2021 collection.

Photo credit: Valentino / SPGItalia

Cannes Film Festival 2021
Rosamund Pike in a Dior Fall-Winter 2021 red tulle dress.

Photo credit: courtesy of Dior

Cannes Film Festival 2021
Carla Bruni wears a Celine dress at the opening ceremony.

Photo credit: Courtesy of CELINE

Cannes Film Festival 2021
Soo Joo Park in full Chanel look from the Métiers d’art 2019/20 “Paris – 31 rue Cambon” collection with Chanel Joaillerie.

Photo credit: Courtesy of Chanel

Cannes Film Festival 2021
Bella Hadid stuns in a vintage Jean Paul Gaultier dress and Chopard earrings.

Photo credit: courtesy of Chopard

Cannes Film Festival 2021
Dylan Penn dazzles in a Spring 2021 Balmain dress.

Photo credit: Courtesy of Getty Images

Cannes Film Festival 2021
Jodie Turner-Smith in a Gucci Custom Strapless Dress and Gucci High Jewelry.

Photo credit: Courtesy of Getty Images

Cannes Film Festival 2021
Izabel Goulart in Chopard.

Photo credit: courtesy of Chopard

Cannes Film Festival 2021
Julia Ducournau in PRADA during the “Titane” photocal.

Photo credit: Courtesy of Prada

Cannes Film Festival 2021
Abigail Breslin in Chopard.

Photo credit: courtesy of Chopard

Cannes Film Festival 2021
Dior Beauty ambassador Iris Law in a white pleated Dior dress for the premiere of “The French” “Dispatch” by Wes Anderson.

Photo credit: courtesy of Dior

Cannes Film Festival 2021
French actress Lyna Khoudri wore an embroidered silk Chanel dress from the Spring-Summer 2021 Haute Couture collection.

Photo credit: Courtesy of Chanel

Cannes Film Festival 2021
Mélanie Thierry stuns in a CELINE dress.

Photo credit: Courtesy of CELINE

Cannes Film Festival 2021
Nibar Madar was stunned in PRADA as he attended the “amfAR Cannes 2021 Gala”. She is wearing an ultramarine blue double satin dress embellished with geometric rouches and a crystal belt.

Photo credit: Courtesy of Prada

Cannes Film Festival 2021
Chanel Ambassador Tilda Swinton and French actress Jeanne Balibar in Chanel.

Photo credit: Courtesy of Chanel


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The complicated history of women at the Cannes film festival https://cannesfest.org/the-complicated-history-of-women-at-the-cannes-film-festival/ https://cannesfest.org/the-complicated-history-of-women-at-the-cannes-film-festival/#respond Wed, 28 Jul 2021 07:00:00 +0000 https://cannesfest.org/the-complicated-history-of-women-at-the-cannes-film-festival/ The glitz and glamor of Cannes was back in full force this year after being canceled out by the pandemic in 2020. It was nice to see some things change as this time more women won awards and gender parity took off. been improved through the festival. There were more female director films in competition […]]]>

The glitz and glamor of Cannes was back in full force this year after being canceled out by the pandemic in 2020. It was nice to see some things change as this time more women won awards and gender parity took off. been improved through the festival.

There were more female director films in competition and in boxes than ever before. The festival’s main prize, the Palme d’Or, went to French director Julia Ducournau for Titanium. The price in Directors’ Fortnight (Directors’ Fortnight) went to Croatian director Antoneta Alamat Kusijanovic for Murina. And the price in the avant-garde section In some perspective, awarded to a film with an unusual style and story, was awarded to Russian director Kira Kovalenko for Unlocking The Fists.

The number of winning women is increasing. However, while things may change, there are still some strong ideas about women making films – in the broader industry, but especially among those who decide who wins at Cannes. In my research, I study the history of the festival looking for clues as to why the work of female directors has been overlooked over the years and what factors can help change the image.

Little-known female directors

The women who have won this year join a few precious others who have done so throughout Cannes’ history. Ducournau’s victory is only the second time the Palme d’Or has been awarded to a woman – the other was almost three decades ago when New Zealander Jane Campion won the award for The Piano in 1992 Likewise, the award for best director has only been given to women twice. – in 1961 to Yulia Solntseva for Chronicle of Flaming Years then, 71 years later, to Sofia Coppola for The Beguiled in 2017.

Bodil Ipsen was one of the first women to win in Cannes but is often excluded from the history of cinema.
Wikimedia

One of the very first winners of the inaugural Cannes Film Festival in 1946 was Bodil Ipsen, a Danish actress turned director with ten films to her name. The men who won that year included David Lean, Billy Wilder and Roberto Rossellini. Unlike Bodil Ipsen, their names are still widely known today. It’s just a testament to how women’s achievements are gradually being erased due to a certain tendency in film criticism and festival history writing not to mention women’s victories as often as those of men.

In view of the Cannes winners, the festival has hardly ever included any female directors in the running. This includes those who are considered some of the best directors in France in general.

Agnès Varda (1928-2019) is a legendary figure in the history of cinema. Often referred to as the “godmother of the French New Wave,” she was prolific. However, she only competed once in Cannes in 1962 for Cléo 5-7. Only men won prizes that year.

Claire Denis is one of the most famous living French directors. His only film in competition at Cannes was Chocolate (1988). Denis’ most famous film is [Beau Travail], which is a meditation on male identity in crisis. It is widely recognized as one of the greatest films of all time but, despite its critical success, it was not selected at Cannes.

Catherine Breillat’s films are about the sexual desire of women. She is celebrated for her work which takes an honest look at adolescent sexuality, such as A Real Young Girl (1976) and 36 fillets (1988). His film Romance (1999) is a daring exploration of conflicting intimacy. In France, however, she was initially treated as a pornographer and often censored.

It is only in recent years that her work has become respected and celebrated for challenging conventional representations of womanhood. Breillat has been making films since the 1970s, yet the only time his film was presented in competition at Cannes was in 2007 for The Last Mistress.

Many women with a distinctive style

One of the excuses frequently used to explain the lack of work by women at major festivals is that there are simply not enough films directed by women to consider, so the problems lie in the production. However, this is not really the case.

Women’s film festivals like the one in Créteil (a Parisian suburb) have been taking place since the 1970s, showing more than 100 films directed by women every year. Over the past 20 years, more than 50 festivals dedicated to women have sprung up around the world, from Belgium to Egypt. Yet the films shown at these festivals are often labeled “women’s films”, implying that they lack universal appeal.

Even where women directors are recognized, they have rarely been treated as “authors”. This term is given to directors who have a recognizable and unique style and worldview that is visible through their films. Director François Truffaut developed the concept in his 1954 essay A certain trend in French cinema (A certain trend in French cinema).

This idea of ​​“autership” is important in Cannes, which is known to celebrate such directors (there is even a category for them, “the regulars of Cannes”). It is clear that the Cannes idea of ​​the “author” remains painfully masculine. A French study scrutinized the work of the special commission responsible for nominating French films for participation in the festival over a 54-year period (1946-2001). He found that of the 180 nominations, only six were for films directed by women.

So with the conclusion of Cannes 2021, I’m looking to the next step. It’s great that so many women have won this year and done so in the best categories, but how many theaters around the world will be showing their films? How often will these films be mentioned by critics? How many will go down in the annals of cinema history? We need to ensure that these women, unlike Ipsen, Varda, Denis and Breillat, continue to be celebrated – and that they continue to be selected for awards.


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Cannes Film Festival 2021: retracing Kolkata, winner of the Golden Eye, connects | Calcutta News https://cannesfest.org/cannes-film-festival-2021-retracing-kolkata-winner-of-the-golden-eye-connects-calcutta-news/ https://cannesfest.org/cannes-film-festival-2021-retracing-kolkata-winner-of-the-golden-eye-connects-calcutta-news/#respond Sun, 25 Jul 2021 07:00:00 +0000 https://cannesfest.org/cannes-film-festival-2021-retracing-kolkata-winner-of-the-golden-eye-connects-calcutta-news/ KOLKATA: “A Night of Knowing Nothing” by Payal Kapadia, which won the Golden Eye for Best Documentary at this year’s Cannes Film Festival, has a strong connection to Kolkata. Ranabir Das, former student of Don Bosco Park Circus and director of photography and documentary editor, walked the Cannes red carpet alongside the director. Scottish Church […]]]>
KOLKATA: “A Night of Knowing Nothing” by Payal Kapadia, which won the Golden Eye for Best Documentary at this year’s Cannes Film Festival, has a strong connection to Kolkata. Ranabir Das, former student of Don Bosco Park Circus and director of photography and documentary editor, walked the Cannes red carpet alongside the director.
Scottish Church College and St Xavier’s Collegiate School alumnus Moinak Bose is the sound designer for the film while Gobardanga stage actor Bhumisuta Das did his voiceover.

Kapadia, Ranabir and Bose are alumni of the Film and Television Institute of India while Bhumisuta graduated from the National School of Drama in 2019.

Bhumisuta Das
Among the Bengal filmmakers who inspired Das are Subrata Mitra and Soumendu Roy. In addition, it also draws inspiration from the photography of all the films of Ritwik Ghatak, Ranjan Palit and Avik Mukhopadhyay.
“I have watched Avik da’s work, and there is so much to learn, even beyond creating beautiful images. This includes the way he collaborates with directors and conducts himself on set, doing his job calmly and efficiently, ”he said.
Described by the director as a “found footage film”, the documentary was screened as part of the Directors’ Fortnight, which runs alongside the main festival. In the documentary, L, a university student in India, writes letters to her ex-lover while he is away.
Through these letters, we get a glimpse of the drastic changes taking place around her. Merging reality with fiction, dreams, memories, fantasies and anxieties, an amorphous narrative unfolds.
“Although I shot a lot of the film, we also received a lot of footage from friends and other archives. So in a way, it became a film of found images. We even treated the footage that Payal and I shot as found footage. We filmed our friends and our daily lives. So it was maybe easier for us to be more intimate than in other situations. spent most of the pandemic editing the movie in our apartment. Since we had a lot of footage, it took a while, a long time, “Das said.
With the material they had, it became very important for them to choose the form they wanted to give to the documentary.
“We had in mind what we wanted to express, what many of us who had the privilege of going to public university felt. length of the film, which would give a personal touch to the very complicated situations we found ourselves in, ”he added.
Describing her Cannes experience, Ranabir said: “More than the red carpet, just being at the festival was a great experience, especially after months of restricted movement. It’s great to be able to watch the films of the masters I have idolized and so many exciting new filmmakers. What’s more special is presenting your film to such a grateful and cinema-hungry audience.
Ranabir’s parents still live in Kolkata. Director Anik Dutta took to Facebook to share how Ranabir was his ‘favorite model’ after buying his first SLR and was the youngest member of the ‘Bhooter Bhobishyot’ crew.
“Ray couldn’t go personally to receive the Palme d’Or in 1956, but he would have been happy to see a boy from his hometown walk the Cannes red carpet,” Dutta wrote on Facebook. Touched by this comment, Ranabir said he learned a lot while working on ‘Bhooter Bhobishyot’.
“It was the first feature film I worked on. I learned most of the basics of cinema, both in terms of form and practice, from Dutta and cinematographer Avik Mukhopadhyay, ”he said from Marseille where the documentary is screened at FID.
Growing up in Kolkata, of course, inspired / influenced him. According to Das, Kolkata is the most “culturally advanced” city in the country.
“We are encouraged to participate in the arts from an early age. So it will always be with me. We have a history of protesting and fighting for what is right. Having said that, even in a relatively more progressive city like Kolkata, I think we have a long way to go. Privileged people tend to romanticize the city to such an extent that they don’t see the problems. The determination to fight must not disappear until we can achieve a more equal society for all segments of the population in our city, ”Das added.
Incidentally, L’s character is Bengali, but she lives in Pune. Bhumisuta, who did the voiceover for L, was unable to make it to Cannes.
She is extremely happy with the news of the award. Mainly associated with Gobardanga Naksha, she has performed in productions like “Binodini” and “Shubha” and has also worked in “Daughters Opera” by Anuradha Kapur and the short film by Devashis Makhija.
“It’s not like an ordinary documentary. I went to Mumbai for 10 working days. My voiceover was partly in Hindi and partly in Bengali. Instead of a professional voiceover artist, they wanted someone who could relate to their experience. It was a great experience for me to work on this documentary. I’m happy he won this award at Cannes, ”she said.
Speaking about the number of contemporary Indian films officially selected at major international film festivals, Das said, “A lot of Indian films have been selected at major festivals in recent years. cinema in a country which is not part of the “industry”. Industrial cinema depends on formulas and this does not always interest an international audience. If a market can be created for non-formula films, both in terms of production and distribution funds, then we will see more films of this type being made and more represented at international film festivals ”, he said. underline.
While it would be fantastic to have more representation at major film festivals, Das stresses the importance of being able to “create a market for good films with local content for the local population”.
It would mean films made by and for the people.
“At the moment, the cinema is controlled by money and profits in the hands of a few people,” he said.
Asked about Cannes’ biggest takeaway, he said: “While it’s nice to be at film festivals in Cannes, we have to realize that the most important thing for filmmakers is the opportunities to do films, regardless of the festival chosen. meet them, ”he said, adding that he had noticed that countries that have a lot of public funding in films and art are able to produce the films of directors who work fearlessly without the commercial success of movie in mind.
“The producers also support this. I hope that in India too, we will be able to obtain funding to support cinema made by creators who may not have the access or the means to do so. So our cinema will really prosper, ”he concluded.


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Bill Murray Double Wristing Timex and Cartier at Cannes Film Festival 2021 https://cannesfest.org/bill-murray-double-wristing-timex-and-cartier-at-cannes-film-festival-2021/ https://cannesfest.org/bill-murray-double-wristing-timex-and-cartier-at-cannes-film-festival-2021/#respond Fri, 23 Jul 2021 07:00:00 +0000 https://cannesfest.org/bill-murray-double-wristing-timex-and-cartier-at-cannes-film-festival-2021/ The global COVID-19 pandemic still has not gone away, but things are slowly starting to return to normal with the rollout of vaccines around the world. It’s nice to see the crowds returning for events like the recent Euro 2020 football tournament. The 2021 edition of the Cannes Film Festival was also in full swing, […]]]>

The global COVID-19 pandemic still has not gone away, but things are slowly starting to return to normal with the rollout of vaccines around the world. It’s nice to see the crowds returning for events like the recent Euro 2020 football tournament.

The 2021 edition of the Cannes Film Festival was also in full swing, although staged two months later than usual after being completely canceled in 2020.

American actor and comedian Bill Murray, best known for his roles in films including Ghostbusters, Groundhog Day, and Lost in the translation, was present. He starred in the film directed by Wes Anderson The French dispatch with Benicio Del Toro, Adrien Brody, Tilda Swinton and Timothée Chalamet.

The film, which premiered on July 12 at Cannes 2021 and received a nine-minute standing ovation from attendees, also stars Owen Wilson, Léa Seydoux and Frances McDormand, among others, in an outstanding cast. Its opening is scheduled for October 22, 2021.

Bill Murray double wrist a Timex Indiglo Easy Reader and a Cartier Tank Must at the 2021 Cannes Film Festival

Bill Murray at Cannes 2021 with Timex and Cartier

Murray stood out in a photoshoot for his, shall we say, rather colorful clothes, including an eye-catching shirt sporting a plethora of designs. On the watchmaking side, he wore two timepieces, a double wrist in WIS jargon. Each of the watches worn is quartz, but their appearance and pedigree are completely different.

Timothée Chalamet, Wes Anderson, Tilda Swinton and Bill Murray at the 2021 Cannes Film Festival

On his right wrist, Murray sported a Timex Indiglo Easy Reader with a white dial, while on his left wrist he wore the evergreen Cartier Tank. As its name suggests, the Timex Indiglo Easy Reader is a watch with very good readability; its oversized Arabic numerals make it easier for the wearer to read the time, even at night, thanks to the Indiglo lume function.

The Cartier Tank, on the other hand, is a classic timepiece, its place cemented in the hall of fame of imaginary watchmaking thanks to a new case design based on tanks from the First World War. Since its release in 1917, the century-old watch has remained a favorite of celebrities, royalty and just about everyone.

Bill Murray wearing a Cartier Tank Must at the 2021 Cannes Film Festival

A festival photographer gave us a crisp close-up of Murray’s Tank, making it easier to identify the model: Murray was wearing a stainless steel Tank Must. Visible marks on the case lead me to believe that it has been worn quite frequently.

Given that the Timex is set at 6:00 a.m. in the photos and the Cartier is set at 12:00 a.m., it stands to reason that Murray could have used both watches to each represent a time zone. France is exactly six hours ahead of the east coast of the United States.

To learn more about the Cartier Tank Must, please visit cartier.com/en-us/collections/watches/mens-watches/tank/tank-must.

Quick facts Cartier Tank Must
Case: 33.7 x 25.5 x 6.6 mm, stainless steel with synthetic sapphire cabochon in the crown
Movement: quartz
Functions: hours, minutes
Price: € 2,660

You can also enjoy:

5 eminent managers and coaches of Euro 2020 and their watches

The Cartier Tank: witness to 100 years of elegant watchmaking

How does it feel to have your Grail watch and live with it? The story of my Louis Cartier tank

The “unknown” Cartier tank: the Louis Cartier Jumbo


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Ryusuke Hamaguchi’s “Drive My Car” wins the Best Screenplay Award at the Cannes Film Festival https://cannesfest.org/ryusuke-hamaguchis-drive-my-car-wins-the-best-screenplay-award-at-the-cannes-film-festival/ https://cannesfest.org/ryusuke-hamaguchis-drive-my-car-wins-the-best-screenplay-award-at-the-cannes-film-festival/#respond Thu, 22 Jul 2021 07:00:00 +0000 https://cannesfest.org/ryusuke-hamaguchis-drive-my-car-wins-the-best-screenplay-award-at-the-cannes-film-festival/ ~~ ~ The film Drive my car (2021), Directed by Ryusuke Hamaguchi received the award for best screenplay at the Cannes International Film Festival on July 17, the first time a Japanese man has won the honor. The screenplay was written by Ryusuke Hamaguchi himself and Takamasa Oe, and is based on a short story […]]]>

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Tokyo during COVID-19: Green spaces and rise of teleworking offer new lifestyle opportunities

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The film Drive my car (2021), Directed by Ryusuke Hamaguchi received the award for best screenplay at the Cannes International Film Festival on July 17, the first time a Japanese man has won the honor.

The screenplay was written by Ryusuke Hamaguchi himself and Takamasa Oe, and is based on a short story written by world famous novelist Haruki Murakami.

The story is part of the collection called Men without women (Josei no Inai Otokotachi) published in 2014.

It focuses on grief and regret, starring stage actor and director Yusuke Kafuku, who must face the demons of his wife’s infidelity and then later deal with his wife’s death. The role is played by Hidetoshi Nishijima, a popular actor in Japan who recently appeared in the popular NHK television series titled Okaeri Mone (2021). The driver, Misaki, is played by Toko Miura, and through the road trip device, the two talk about their trips.

Ryusuke Hamaguchi, with lead actor Hidetoshi Nishijima.

The cast also included actors from Taiwan and South Korea, such as Korean actress Park Yoo-rim.

The 74e The Cannes Film Festival, which took place from July 6 to 17, 2021, took place for the first time in two years, after the cancellation of the 2020 edition.

“I think the actors expressed the story very well. They are now abroad, but I would like to thank them warmly and [thank] all the invaluable staff who supported the efforts of the actors, ”Hamaguchi said at the ceremony.

Hamaguchi told Reuters he particularly enjoyed working with an international cast: “I found the fact that neither of the actors would be able to understand each other interesting as it forced them to observe each other more closely and react differently. . “

The 42-year-old Japanese director has been in the spotlight as a pioneer of the Japanese film industry. He co-wrote the screenplay for The wife of a spy (2020), which received the Silver Lion at the Venice Film Festival in September 2020.

In March 2021, Hamaguchi also received the Silver Bear Jury Grand Prix at the Berlin International Film Festival for Wheel of Fortune and Fantasy, winning awards at the three main film festivals in Europe.

Drive my car is scheduled for release in Japan on August 20. Ryusuke Hamaguchi is from Kanagawa Prefecture, on the outskirts of the capital city of Tokyo. His film had already competed at the Cannes Film Festival, in particular with Asako (I&II) (2018).

Author: Arielle Busetto


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